Actors Cecilia Kurachi Actors Cecilia Kurachi

Finding your Actor Type

An actor’s type refers to the category of character an actor can play. These categories are largely influenced by age range and archetype (a very specific type of person).

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Actors Cecilia Kurachi Actors Cecilia Kurachi

Casting Websites: Which one’s Right for You?

Casting websites are commonly used by working actors, casting directors, agents and talent managers to post jobs, find talent or submit themselves to acting projects. While features vary from site to site, these sites offer an actor the opportunity to personalize their profile by selecting a few headshots to feature, upload their resume and share their acting credits (professional work an actor has done). 

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Petites Cecilia Kurachi Petites Cecilia Kurachi

Fall Outfits for Actors

You can make a lasting impression without trying too hard and by curating quality wardrobe pieces that don’t require much effort. Here are some easy Fall outfits for any working actor, many of which you can re-use, refurbish and re-layer according to your needs and personal style!

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Actors Cecilia Kurachi Actors Cecilia Kurachi

Types of Headshots for Actors

By industry standards, a headshot is an 8 x 10 professional photograph of your face, or as the name suggests, of your head. It is the most basic and fundamental tool an actor needs when presenting themselves in all aspects of the entertainment industry, particularly at auditions and in front of Casting Directors.

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Actors Cecilia Kurachi Actors Cecilia Kurachi

Product Faves: Essence Juicy Bomb Glossy Butter Balm

For starters, this Juicy Bomb Glossy Butter Balm allows you to build up its pigment, according to your own liking. While the product comes across as highly pigmented (especially for a balm), it offers the opportunity to build it up or build it down. You can softly dab it on, offering a more subtle flush of color or you can wear it full on for a bigger statement! Either way, the balm (and this particular shade) leaves a beautiful after-effect, similar to a tinted lip stain, giving the lips a stunning flush of color – as if you just took a bite of a fresh straw(b)erry or took a sip of your favorite Pinot Noir!

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Theater Reviews Cecilia Kurachi Theater Reviews Cecilia Kurachi

‘Crude,’ a Theater Review

When a massive oil spill threatens the reputation of his company, marketing representative Jaime Kurtz (played by TV Land’s Younger Nico Tortorella), must quickly strategize how to fix this pending problem. In the span of one day, playwright Jordan Jaffe takes us through a surprisingly entertaining journey, as Tortorella and his faithful friend (Aaron), played by W. Tré Davis, try to come up with ways on how restore their company’s dependability. This fresh and quick-witted dark comedy had its world premiere at Theater 511 at Ars Nova in New York City.

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Film/TV Reviews Cecilia Kurachi Film/TV Reviews Cecilia Kurachi

Emilia Pérez: Movie Musical or Musical Mayhem?

Emilia Pérez, branded as a Spanish crime musical, with hints of “comedy” and French influences leftme as confused as one can be when reading all of those adjectives put together. Directed by Jacques Audiard, the film tells the story of a cartel drug chief with a lifelong history of bad decisions under his belt and the outward hope for a new beginning.

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Theater Reviews Cecilia Kurachi Theater Reviews Cecilia Kurachi

Everybody, a Dramaturgical Statement

Everybody, a play written by Branden Jacobs-Jenkins, is a reflective piece of theater, a poetic exchange of dialogue and in its purest form, a true example of a morality play. Based on the original 15th century morality play Everyman, this modern-day adaptation thematizes God and Death in a seamlessly metaphorical construct, interwoven with its own flare for comedic satire. 

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Theater Reviews Cecilia Kurachi Theater Reviews Cecilia Kurachi

Urinetown, a Dramaturgical Statement

Dramaturgy plays a key component in the world of storytelling. To put it simply, it provides us with historical background and contextual understanding. In doing so, dramaturges inevitably become pioneers for social and cultural awareness. Dramaturgy is based on research and analysis. It asks you to examine the different layers of a given show, whether it be its historical, social, cultural and/or political backbone. More so, it encourages us to take that new-found knowledge and apply it to ourselves, as thespians and as people.

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